Werner Herzog
Born: Sep 5, 1942
A leading figure in the German cinema's "new wave," Werner Herzog has stimulated considerable debate among film scholars, some of whom regard him as a poetic genius while others brand him a self-indulgent charlatan. In either case, he can't be easily dismissed. Herzog's films-the most inter- esting of which include Aguirre, the Wrath of God (1972), The Mystery of Kaspar Hauser (1975), Nosferatu the Vampyre (1978), and Fitzcarraldo (1982)-are often breathtaking in their visuals if diffuse in their narratives. His powerful imagery, which often incorporates impressive landscapes and natural wonders captured on film under arduous circumstances, more than compensates for his questionable development of theme. The director, who shrouds himself in a cloak of self-fashioned mythology, will probably be linked forever with actor Klaus Kinski, his frequent (and eccentric) leading man, with whom he and his family lived for a time in Munich. Herzog has appeared in several of his movies, and was the centerpiece of Les Blank's candid documentary about the trouble plagued production of Fitzcarraldo called Burden of Dreams (1982). He was also featured in the short-subject Werner Her- zog Eats His Shoe (1979), in which he paid off a bet to budding filmmaker Errol Morris in the manner described in the title. OTHER FILMS INCLUDE: 1968:Signs of Life, Even Dwarfs Started Small 1976:Heart of Glass 1984:Where the Green Ants Dream 1988:Slave Coast, Lightning Over Braddock: A Rustbowl Fantasy 1989:Ha...[MORE]
Werner Herzog Nude and Sexy


Members Login
Username:
Password :
The Net's #1 Online Adult Entertainment Website
| Copyright © 2012 Malestars.com, Inc. All rights reserved! |

Webmasters Who Want To Promote This Site, Click Here!
All models portrayed are eighteen (18) years of age or older.
Please click here to see that we are 2257 compliant .
Members Enter Here
Our purpose is to provide you, our subscribers, with news, indormation, moive reviews and photographs about the activities of public figures and well-known celebrities. We reserve the right to make legitimate mention of the public activities of such people. As stated in the Restatement of Torts, Second, comment to Section 652C, "No one has the right to object merely because his or her name or appearance is brought before the public, since neither is in any way a private maner and both are open to public observation.